Thursday 4 July 2024

A tale of two tales

By Shmuli Phillips and Daniel Abraham

Parashat Noach lies at the heart of the battle between traditionalists and bible critics over the structure, origin and authorship of the Torah. While it has always been a core tenet of traditional Judaism is that the Torah as a whole was revealed to Moshe, source criticism in recent centuries has developed a methodology through which, its adherents believe, they can identify a multiplicity of original sources from which the fabric of the received text of the Torah was subsequently woven. Scholars have considered that the application of this methodology to the narrative of Noach and the Flood is “foundational” to source criticism; they count it as being amongst this methodology’s most “brilliant achievements”.
In his recent works (Inconsistency in the Torah, Ani Maamin) Rabbi Dr. Joshua Berman has challenged some of source criticism’s fundamental assumptions. In doing so he has identified what he claims to be serious methodological flaws in the critics’ interpretations of the Flood narrative. Motivated by what they understand to be widespread instances of contradiction and repetition, critics divide the narrative into 27 snippets of varying sizes. 14 of these snippets, they claim, originate with one source, while the other 13 emanate from the other. Yet, as Berman notes, the “unravelling” of the text into two sources “clearly does not provide us with two accounts, each free of contradictions and incongruities…”. He observes that, “…rather than walking back from the hypothesis, source critics have sought to buttress it by resort to a series of redactors, who are the agents responsible for the disruptive passages”. Citing other scholarly studies, however, Berman notes that the sort of redactive interference that critics propose in the Flood narrative is absent from other compositions which have reached us from the Ancient Near East.
It is on the subject of other ancient texts that Berman launches his most serious challenge to the claims of source criticism regarding the Flood narrative. Scholars have long noted strong thematic and structural parallels between the Torah’s account of the Flood and the Gilgamesh Epic, which originated in ancient Mesopotamia. Whether we assume that the Epic and the Torah are both independently reporting the same event, or whether the Torah is reworking a prior prototype from a monotheistic perspective, what stands out is that the discovered tablets similarly combine content which, the Torah’s source critics contend, originated from two distinct sources. As biblical scholar Gary A. Rendsburg put it:
We are supposed to believe that two separate authors wrote two separate accounts of Noah and the flood, and that neither of them included all the elements found in the Gilgamesh epic, but when the two were interwoven by the redactor, voila, the story paralleled the Gilgamesh flood story point by point. [The Biblical Flood Story p116]
While Berman’s rejection of source criticism’s attempt to have disassembled the Flood narrative may be persuasive, it nevertheless leaves us to address a further question. Why would the Torah – as a single source – present the episode in such an inconsistent and repetitious manner?
Judaism Reclaimed
presents a fascinating explanation of this passage by Malbim which explains why the Torah might have adopted this style. The basis for Malbim’s approach is an ancient midrashic teaching that the divine names, YHVH and Elokim, represent different dimensions of the complex and multi-faceted relationship between God and humanity. The name Elokim is used when the Torah is describing God as a distant “First Cause”, relating to the world through the perpetual forces of nature. YHVH, by contrast, is employed by the Torah when it depicts God as a concerned providential deity, managing the lives of people in accordance with principles of reward and punishment. The Malbim utilises this distinction in order to contrast the first chapter of the Torah, which employs the divine name Elokim as part of its cold, factual account of Creation, with the use of YHVH in the subsequent chapter which examines creation specifically through God’s providential relationship with humanity (this theme is developed extensively by Rabbi Joseph B. Soloveitchik in Lonely Man of Faith).
Malbim uses the same technique to analyse the repetitious and contradictory phenomena which critics highlight throughout the story of Noach. In the passage that opens the parashah, God (as Elokim) relates to Noach as the “distant first cause” – concerned only with ensuring that the natural world continues:
Noach was a righteous man, perfect in his generations; Noach walked with Elokim … The Earth had become corrupt before Elokim … And Elokim saw the earth … All flesh had corrupted its way upon the earth … Elokim said to Noach “The end of all flesh has come before Me ...”. From all that lives, of all flesh, two of each shall you bring to the ark … [Bereishit 6:9-19, selected text]
In the next chapter, the Torah again records that God instructs Noach to build an ark, but this time the deity carries the personal providential name of YHVH:
And YHVH said to Noach, come you and your household to the ark, for it is you that I have seen to be righteous before Me in this generation. Of every clean animal take with you seven pairs … [Bereishit 7:1-2]
Commenting on these parallel accounts of the world’s corruption and God’s instruction to Noach to prepare and enter the ark, Malbim appears to be following the approach of source critics in so far he separates them into two distinct passages. Each of these passages, however, plays an integral role in communicating the Torah’s core message: the multi-layered interaction and dynamic of the relationship between God and humanity.
While the Elokim passage, therefore, records Noach’s merit in cold, objective terms (“righteous in his generations”), the second passage describes it in terms of a personal providential relationship with God “I have seen that you are righteous before Me”.
In keeping with this approach, Noach is instructed by God in the Elokim passage to take two animals of each species. Malbim explains that this is because the perspective of the Elokim dimension of the God’s interactions with the world simply seeks to preserve and maintain the natural world. For this, a male and female of each species suffices. The YHVH passage, however, additionally commands Noach to take “seven pairs of pure animals”. This further requirement relates solely to the personal providential dimension of Noach’s relationship with God. As Malbim explains: Noach understood that “God had commanded me regarding more pure than impure animals so that I can offer them as sacrifices”.
This dichotomy continues through to the covenant(s) between God and humanity at the end of the Flood narrative. The Elokim description of the covenant (9:1-17) is essentially a detached divine commitment not to destroy the world’s natural order – animals and humans alike. This is in contrast to the second account of the covenant (8:20-22) which utilises the personal, providential YHVH name of God in order to relate God’s commitment specifically to humanity’s frailties. It is also significant that God’s commitment appears to be prompted by Noach’s sacrifices and by the providential dynamics that had been created by humanity’s good deeds.
Malbim’s approach offers a framework through which one can accept – and perhaps even expect – a degree of duality within a Torah narrative. Thus, where the Torah wishes to convey aspects of the Flood through different providential dynamics, it can do so within the flow of a single textual narrative. Adopting this approach also means that Malbim need not be troubled – as source critics are – by the presence of two apparently incompatible sets of storylines which cannot each tell a distinct and, free-standing version of the Flood episode.
First posted to Facebook 3 October 2021, here.

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